Je ne suis pas Charlie

The daily news is so full of shootings and other atrocities nowadays that I can hardly tell one from another. Consequently, I can’t muster up much in the way of grief or outrage for most of these incidents no matter how close to home they hit or how high the body count is or how horrific the details might be. I just don’t have the emotional energy to spare, I’m afraid. The last ghastly incident that really hit home for me was the shooting at Sandy Hook school.

The recent events in Paris, however, have struck a chord in me that has my jimmies more rustled than they’ve been in at least the past two years.

Twelve people were shot and killed at a French newspaper called Charlie Hebdo, ostensibly by Muslim militants who were angered by the newspaper’s satirical writings and drawings about the Islamic prophet Mohammed. In solidarity with those who were killed, including four editorial cartoonists, many writers and illustrators and ordinary people across Europe and around the world are taking up the slogan “Je Suis Charlie (I Am Charlie).”

As a former newspaper reporter, I suppose I could be expected to stand up for my fallen brethren in support of their ironclad ideals of freedom of speech and to applaud and admire their courage to lampoon all that is sacred to, well, almost everyone. Charlie Hebdo, so the line goes, was an equal-opportunity offender of every class, culture, creed and religion. Their cartoons aimed at Islam, in particular, are said to be scathing and often scatological. I wouldn’t know, since I don’t seek out this particular form of commentary. In fact, until two days ago, I had never heard of this publication and probably never would have if they hadn’t been so brutally thrust onto the world stage.

I have a lot of swirling and conflicted feelings about this incident that are difficult to sort out into straight lines.

While I recognize the need in free societies for publications like Charlie Hebdo that are not afraid to pull the tiger’s tail and publish words and pictures that others find too taboo to touch, I also don’t appreciate that sort of content. I would never seek it out, and I resent being pushed to inadvertently participate in this trampling of Muslim sensibilities by other news outlets that are publishing some of the controversial images that Charlie Hebdo did. I appreciate the news outlets that are declining to do so despite being called cowards by some of their readers.

Paul Farhi (“News organizations wrestle with whether to publish Charlie Hebdo cartoons after attack“) writes in The Washington Post:

Neither the New York Times nor The Washington Post has ever published the Danish or French cartoons, and both indicated Wednesday that they don’t intend to.

The Times’ associate managing editor for standards, Philip B. Corbett, said his paper doesn’t publish material “deliberately intended to offend religious sensibilities.” He said Times editors decided that describing the cartoons rather than showing them “would give readers sufficient information to understand today’s story.”

Similarly, The Post’s executive editor, Martin Baron, said his newspaper avoids publication of material “that is pointedly, deliberately, or needlessly offensive to members of religious groups” and would continue to apply those principles in the wake of the Paris atrocity.

The New York Times’ Public Editor Margaret Sullivan, in a blog post, only tepidly supports her employer’s decision not to publish the images (“A Close Call on Publication of Charlie Hebdo Cartoons“):

[NYT Executive Editor Dean] Baquet told me that he started out the day Wednesday convinced that The Times should publish the images, both because of their newsworthiness and out of a sense of solidarity with the slain journalists and the right of free expression….

Ultimately, he decided against it, he said, because he had to consider foremost the sensibilities of Times readers, especially its Muslim readers. To many of them, he said, depictions of the prophet Muhammad are sacrilegious; those that are meant to mock even more so. “We have a standard that is long held and that serves us well: that there is a line between gratuitous insult and satire. Most of these are gratuitous insult.”

Sullivan concludes, “The Times undoubtedly made a careful and conscientious decision in keeping with its standards. However, given these events—and an overarching story that is far from over—a review and reconsideration of those standards may be in order in the days ahead.”

The Guardian also declined to republish the cartoons (“The Guardian view on Charlie Hebdo: show solidarity, but in your own voice“) and said in an editorial:

The key point is this: support for a magazine’s inalienable right to make its own editorial judgments does not commit you to echo or amplify those judgments. Put another way, defending the right of someone to say whatever they like does not oblige you to repeat their words.

Each and every publication has a different purpose and ethos. Charlie Hebdo is not the Guardian or the New York Times, nor is it the Daily Mail or Private Eye. The animating intention behind its work was to satirise and provoke in a distinctive voice, one that would not sit easily in other publications.

New York Times Op-Ed columnist David Brooks (“I am not Charlie Hebdo“) notes that even if you claim to be Charlie (or at least share its ideals), “Most of us don’t actually engage in the sort of deliberately offensive humor that that newspaper specializes in.”

When you are 13, it seems daring and provocative to “épater la bourgeoisie,” to stick a finger in the eye of authority, to ridicule other people’s religious beliefs.

But after a while that seems puerile.

A commenter on this story called all American media cowards and hypocrites, saying, “Your case would have been far stronger had you compared the courage of Charlie Hebdo with the cowardice & appeasement of American media. This very newspaper will not publish satirical cartoons commenting on Islam even as it will freely analyze, say, The Book of Mormon. The most galling example is that Comedy Central has censured South Park’s satire on Mohammed, in which Parker/Stone examine the lengths their station will go to self-censure. As soon as “Revolution Muslim” threatened death to Parker & Stone for the episode, Comedy Central responded by heavily censuring & ultimately removing the episode. So in a show that freely satirizes Christians, Mormons, Jews & everyone, somehow Muslims are forbidden—It’s not out of delicacy or political correctness or being respectful or disrespectful. It’s out of cowardice, appeasement & moral weakness.”

Jennifer Schuessler (“Charlie Hebdo Attack Chills Satirists and Prompts a Debate“) writes in the New York Times:

But amid all the “I Am Charlie” marches and declarations on social media, some in the cartooning world are also debating a delicate question: Were the victims free-speech martyrs, full stop, or provocateurs whose aggressive mockery of Islam sometimes amounted to xenophobia and racism? ….

Mr. [Tom] Spurgeon of The Comics Reporter said that when he posted some of what he called Charlie Hebdo’s “ugly, racist” covers in a show of solidarity on Wednesday, he got a number of emails from cartoonists challenging the decision.

“Some people questioned such work as simply cruelty hiding behind the idea of free speech,” Mr. Spurgeon said.

Rabbi Michael Lerner (“Mourning the Parisian Journalists Yet Noticing the Hypocrisy“) writes in the Huffington Post:

the media has refused to even consider what it would mean to a French Muslim, living among Muslims who are economically marginalized and portrayed as nothing but terrorists, their religious garb banned in public, their religion demeaned, to encounter a humor magazine that ridiculed the one thing that gives them some sense of community and higher purpose, namely Mohammed and the religion he founded.

To even raise this kind of question is to open oneself up to charges of not caring about the murdered or making excuses for the murderers. But neither charge is accurate. …

“But they ridicule everyone’s religion, not just the Muslim’s, so isn’t that fair?​” we are reassured. But the reassurance isn’t reassuring. That they ridicule everyone is exactly the problem—the general cheapening and demeaning of others is destructive to everyone. … So let’s call demeaning speech, including demeaning humor, what it really is—an assault on the dignity of human beings.

And finally, here is cartoonist Joe Sacco’s response to the shooting (click image for a larger version).


Surely we can do better by one another, and we at least ought to try because we really are all in this together.

Extremism is extremism, and murder is murder that cannot be “justified” by religious beliefs. By the same token, racism, bigotry and bullying are disrespectful and abusive no matter what religious or ethnic group is the target—or the source, either, for that matter.

That is why I am not Charlie. I don’t stand with those who mock and belittle and attack others simply because they can, yet claim to be valiant defenders of liberty and freedom. I believe in respect and kindness toward all and in promoting what you love, not bashing what you hate.



I hate Newsweek for going digital

I’ve been a Newsweek subscriber since I was in college, and reading that magazine every week was a drop-everything, read-it-cover-to-cover feast that I eagerly looked forward to and never missed.

So when they announced last year that they were going to an all-digital format, I had misgivings, to say the least. I’ve still got two years on my subscription, for heaven’s sake. And since their last print issue arrived in my house in January, the only way I can now read my favorite magazine is on a computer screen.

Media providers seem to think that everyone has an iPad or iPhone nowadays, so they design their apps for those platforms. I don’t have either. I have a desktop Mac and a laptop PC. I had trouble figuring out how to access their suggested e-reader to either computer, and found that on the PC, the pages displayed at an unreadably small size. If that were my only computer, I’d be tearing Newsweek a new app over their accessibility and demanding a full refund of my remaining subscription.

I’m lucky, though, in that I also have a 21.5″ Mac that can display two magazine pages at full size side by side. The reader works fine on that, as far as readers go.

So I loaded up the latest issue tonight and started browsing through it. In less than five minutes, my eyes felt strained from watching the pages scroll past me one spread at a time. Reading text on screen is harder than reading it in print for several reasons, such as the fixed vertical angle of the screen and the fact that the screen projects light toward my eyes whereas the printed page reflects it.

But for me, the aggravating part is that I have no choice but to sit here, at my computer, in my studio, to read Newsweek. I can’t take the Mac out onto the deck on a nice day or into bed with me to read before sleeping, or put it on my kitchen table so I can read over breakfast. I can’t stretch out on the couch with a dog on either side of me and enjoy reading my magazine the way I have always enjoyed it.

reading a magazine on the beach

Okay, maybe this is not quite how I prefer to read, but you get the idea?

Now reading Newsweek feels like a chore, and I feel cheated.

If I had an iPad, I am certain the situation would be no better because the only way to read the text would be to enlarge the pages on the screen, which would require scrolling from top to bottom and side to side to read all the text because every page is larger than the iPad’s screen at 100%. This is fine for a few pages or maybe even a few articles, but over a full issue, it’s exhausting and aggravating. It used to take me about half an hour to read the paper issue each week, and I usually went back to it three or four times to read or reread this article or that one before I recycled it. That same amount of time scrolling and reading onscreen, at least all at one time, is simply intolerable.

Even Bill Gates agrees with that:

Most typefaces were not designed for screens and, thanks to a limited number of pixels, are just fuzzy reproductions of the originals. The result is that reading on-screen is hard on the eyes and takes a lot more effort. People do it only for short documents. The longer the read, the more irritating and distracting are all the faults in display, layout and rendering.

I understand why Newsweek no longer prints on paper and I realize there are a great many perks for me as a reader in the electronic version. They are keeping up with their readers’ wants and needs and utilizing technology in a way that is good for the planet and good for them. Not so good for me. I miss holding my magazine in my hand, rolling it up, tearing out pages to keep or share, carrying it with me around the house and reading it wherever I happen to be, reading a whole page at a time without moving any part of my body except my eyes.

Technology is great and all, but I’m having a hard time wrapping my arms around all-digital media. I live so much of my life online and onscreen as it is that I welcome the quiet, non-interactive, non-urgent, non-hyperlinked alternative that analog paper media provide. As we know, I’m old-school about paper stuff.


If my local paper ever moves to the internet, I will be devastated. How am I supposed to eat breakfast in the morning without a newspaper to read? I can hardly imagine it.

Eating and reading are two pleasures that combine admirably.
~ C.S. Lewis

Related: Mourning the digital slaughter